Arthur Lester (
theotherright) wrote2022-09-11 07:55 pm
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come sail away IC inbox
Cabin 127. No calls, we text like men on our disney cruise phones.
If you send Arthur a message it will be read out loud in one of a selection of friendly automated voices!
If you send Arthur a message it will be read out loud in one of a selection of friendly automated voices!
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"Gmnmfn--"
God that's loud -- god that's sudden -- and god, that's a lot. Arthur freezes in surprise -- not sure if he's supposed to- to- swallow? to spit? it's not unpleasant but there is a lot of it -- until the next moment, when he instinctually tries to breathe and he starts to choke and splutter all over again. Crichton's Fourth of July display overspills from his mouth, and comes out of his nose, and he jerks back, up onto his knees.
He's coughing, and he's laughing, in a blend of triumph and embarrassment and delight, and once he's breathing again he licks his lips exaggeratedly, grinning in Crichton's general direction. Well how about that!
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He sits up and reaches out saying, "Whoa, Arthur. I'm sorry... I..." Wait. Arthur's laughing. (Which means he's breathing, whew.) Crichton lets out a relieved chuff of air and lets himself fall back on his elbows, starting to laugh himself--until he sees Arthur lick his lips like that.
Oh.
Damn that's hot.
Before he really even knows what he's doing, he's sitting up and leaning in, putting a hand to the back of Arthur's head and drawing him in for a sloppy, salty kiss. How about that, indeed?
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When he comes up for air, finally, he husks, "Your turn now. I want a taste of you."
brief internalised aphobia warning
"Yes- I, I- r-right." Unfortunately he's so very in the moment that the obvious next step of 'take your trousers off' doesn't immediately occur to him.
brief internalised aphobia warning
One more kiss, on the lips, then another on his chin, and then the breastbone, Crichton's already way ahead of Arthur. "Lay down for me, let's get the rest of your clothes off." Crichton's already reaching for the waistband. Let him see what he's working with here.
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As he lies down -- carefully, elbows-first, skin burning wherever Crichton's lips touch it -- he starts to think again, and his nervousness peaks at a level somewhere between 'giant deer-eating spider' and 'breathe out and squeeze into that tunnel'. Which is ridiculous -- he trusts Crichton, he feels safe with Crichton, he's been vulnerable with Crichton a hundred times before. He closes his eyes (old habit) and breathes, and the nerves are crowded out by excitement, each pushing against the other as if he's trying to have every reaction at once.
The breathing turns into a shallow gasp as he's freed from his trousers. Now there's only a loose pair of boxers between him and the room, and they do nothing to hide the fact that he's nearly all the way to hard. The fly of the boxers is parting where his cock pushes against it, a little flushed skin visible.
If only he could play this off the way Crichton did. His mind seizes on something said earlier, and he pipes "Hello," before realising that Crichton refused to give his dick a voice, and that he sure as hell isn't going to either. Mortified, all he can do to save himself is backtrack, in a rush: "I-- I, I don't have any suitable joke f-for the occasion." Can they please pretend that didn't happen?
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"God, you're so frelling cute. You know that?" There's a world of affection in his voice as he says it. He loves his poor, nervous, adorable boyfriend. Loves him to pieces. He's going to show him just how much.
"All I wanna hear from you is how much you like this." He hooks his thumb in Arthur's boxers and yanks them down. No more hiding, you're all his now.
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"Er- so- I, er, so I have heard," he says. Usually he'd scoff if anybody else tried it, since it's a clear display of both delusion and bad taste, but somehow whenever Crichton calls him cute it makes him feel buoyant. And that on top of everything else... he is, he realises abruptly, happy. Happy to be here, happy to be doing this. Well blow him down.
But at the same time, lying nude and prone on his back like this makes him feel exposed, vulnerable in a way he's not a fan of. And so, at the same moment that Crichton is pulling off his boxers, he's pushing himself back up onto his elbows, lifting his feet to let the underwear past and putting them back down flat on the bed, and reminding himself that the door is locked. It's fine. He tries to force his muscles to relax, which isn't really how that works.
"That, that I can do." He wants this to happen and he is not going to fuck it up for both of them by getting nervous, god damn it. Arthur moves his feet further apart, the spreading of his legs almost shy, urging Crichton to move in on him. He adds: "Please."
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"Hope you never get tired of hearing it," Crichton has to yank to get the trousers off since Arthur's a bit too distracted to help, but that's fine. He can handle it. He can handle all of this. Some part of him is still amazed about it.
When it comes to the boxers, though, he is starting to sense Arthur's worry creeping up. He's attuned to Arthur's body language probably more than the man knows. So, once he's discarded the last garment between them, he slides one hand up Arthur's chest, gently, until it rests over his lover's heart.
As Arthur spreads his legs apart, Crichton hovers closer, his breath once more hot against exposed skin. "Just so you know, you can always put the brakes on. I'll understand." He will punctuate that with a tender kiss on Arthur's tip.
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"Don't worry, I ah," he says. Yes, he did squeak when Crichton kissed the head of his cock. That information will never leave this room.
If Crichton liked seeing the thing twitch, he'll love when it stands a little straighter and fuller, already wordlessly awarding him a good grade in blowjob.
Arthur falls back into the bed again so that he can put a hand over one eye, expelling the rest of his sentence as a puff of air, hyperaware of the neighbouring rooms and ready to stifle himself if he makes any sound louder than that squeak. And he makes himself stay there, for now at least.
He's not sure what to say! This is a big development!
"You, you have the lips of a flautist." Okay, you know what, silence is always a valid option.
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"Oh yeah?" he answers, the warmth of laughter in his tone. "Here's hoping I can finish strong with a high C." Don't worry Arthur, he can turn anything into an innuendo.
That's enough talking. Time for more than just a kiss. Now that Arthur's collapsed back onto the bed, Crichton's hand on his chest stays in place, resting, not pressing down. His other hand wraps around Arthur's shaft to help guide him to Crichton's waiting mouth. Time to blow baby blow.
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His knees bend further, hips twitching up despite his efforts. And yet the rest of him feels frozen, ignoring his commands entirely, as if it's paralysed itself in sleep and left him wide awake and helpless. At the back of his mind, crawling forwards, are thoughts of his soft belly and chest and throat, pinned and pointed to the ceiling like a frog asking to be dissected. How little fight he could put up, lying here.
But he makes a fist, and attempts to drag those thoughts back into the dark, and to focus only on the much nicer things happening around his lower half.
oh my god i thought i replied to thissss
At first, it all seems fine. Arthur's hips twitch on impulse and Crichton takes the bending of his knees for a good sigh. But he's watching closely, aware of the stiffness in places that shouldn't be stiff right now. It's about the moment when he sees Arthur making that fist that he decides to pull back and check-in.
He strokes at Arthur's chest gently and asks, "Still good up there?"
aaaa it's okay it happens!
"I-- well, I..."
Then there are footsteps and laughing voices in the corridor, moving past their room, normal for a Christmas morning and not particularly loud. Arthur is back up on his elbows like a jack-in-the-box. Rapidly: "Well actually--"
He slows it down, and brings it back down an octave while he's at it. Decides to answer with the truth. Pre-emptively attempts to defuse that truth with an unconvincing laugh.
"I-- no, no knock on your ability, but brilliantly enough I keep thinking how easily I could be stabbed. I - suppose you could say I'm incredibly bad at setting the mood."
He says it as if it's a joke. It would be a better joke if his various scars didn't stand out in quite such livid pink against his pale torso.
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Crichton's fingers stroke the hairs on Arthur's chest, pointedly avoiding those scars that still stand out so prominently.
"Why don't we go back to the original plan? Think you might be relaxed enough by now to give smoking a try?"
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He's slowly relaxing again, though, both at Crichton's touch and at his willingness to just... pause this.
"Thank you," he says, not sure how to phrase what he's thankful for, but hoping Crichton will understand that, too.
The fact that he's calming down aside, that question, coming right after he has to tap out of sex because of his over-tuned sense of danger, surprises a laugh out of Arthur. If that was Crichton's plan, then it worked perfectly. "I-- yes, why not? Only..."
He pushes himself upright, not sure if or how to finish that sentence; it comes out as: "Let me hold onto you, a moment."
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That laugh is like sweet music. It breaks the tension in Crichton so he can relax and briefly nuzzle his nose against the inside of Arthur's thigh. They'll get there. They have all night.
"Sure. Let me come up." Crichton has to take his hand back for just a minute so he can reposition and wriggle up alongside Arthur, resting his chin on his lover's chest. "Better?"